Cat On A Hot Tin Roof

We are a production of 'Cat on a Hot Tin Roof "and need a cast for the leg of Brick. Anyone have any suggestions on how best to create this font?

First choice: Buy one.
Second choice: take one.
Third choice: Get a Medi-Tech to help you because they have the materials, tools and expertise to not endanger your victim - er, actor - doing the thing.

If you're still reading, I think none of these work for you. So. . . .

I was not on costumes or accessories for cats, so I do not remember if there were time constraints. An easy way is to construct the distribution of a "hinge" on one side and cut all the way through and completely under the foot to the other. Do you make the turn, leaving the plaster in a thin line down one side and break it without damaging the fabric. Start with a couple of rods 1 / 4-3 / 8 inch in diameter and long enough to go beyond the melting at the top and bottom. Place one leg against the hinge where you want and proceed to the construction of the pier on her. Before setting up things, push the stem of the second from the outside against the first to spot the fine distribution from top to bottom. The work of the rod back and forth for most MOOSH spray on the fabric. You "made a mistake that will be easier to break just the way you want it in time. Oh, you better work fast and you may want gloves. Try adding seam tape fiberglass (Drywall) for strength because it's going to need it to last the entire journey. You cover the hinge with tape once you break it to keep things loose and fall out a path through the scene. (You can do all this from fiberglass, but it won 't sound right if it is bump or shock. It's one thing period. Modern dress would call for a bunch of plaster work, ya? http: / / www.calibex.com / football-walking-cast ... Oh, to protect the body of your work. You do not have a corpse? Damn.

OK, if you have a valve that adjusts to the foot of the actor and the leg. (If your boss wants a full leg cast, tell 'em in the simulation if the player's knee is not really held stiff. It's a risk no one needs to address. Hey, it is an actor, right. It does not really have a broken leg, he's just pretending. It can therefore claim that he can not bend, there?) You put it on more than one sock (cut feet if the pigs want to see the lights) and wrap it with wide tape. Cut the tape (carefully) to remove it. You use a lot of red during the race.

Some details: The interior must be thickly padded and any exposed fiberglass lined and covered so as not to scratch the actor. Design the padding so it can be changed if the race is long or if you want to save the distribution for future productions. The thick padding alows also a wider range of adjustment from one actor to another.

If it will work on (instead of being held off the stage) to construct a foot bed and bumpers to protect them. (Here's another idea that is not the time, but can help on the conceptual level: http://www.castwalker.com/castwalker.htm ... Also, you will leave more of the foot portion of the melting intact up to the foot bed and standing under the violence of being trampled. Stop cutting through just below the ankle and make another horizontal cut just above the heel around the rear hinge so that the entire surface leg can be opened like a door. The trick is to have big enough to slide the foot in, so go Enouga low.